Requisite
Buffy post. If you're reading this at my blog, I'm not going to bother to white it out, so if you haven't seen "First Date" yet and don't want to be spoiled, just move right along. Catch you later.
I'm not really feeling the "squee!" over this ep, mainly because despite my best efforts I let my hopes get too high and was left feeling pretty disappointed. Also, being hormonal and sleep deprived, I'm way too prone to letting other people's doubts and fears infect me. But I thought a lot about it while I was cleaning, and I realize there's a lot more that's hopeful-making than not about this ep. Which is good, because I was really beginning to worry about myself, being all weepy and depressed over the romantic future of a fictional TV vampire, so snapping out of that can only be a good thing, right?
Anyway. There was, of course, the obvious: Buffy's Freudian slip of "
still in love with Spike," her resolution while talking to Giles that Spike can be a good man and her lack of denial that she has feelings for him, and the end bit on the sofa, when she told him that she wants him there. And let's not forget how she even ignore
Xander as he lay injured and bleeding on the ground to run to make sure Spike was okay -- which is a pretty monumental leap forward from "sleeping the sleep of the knocked unconscious" and, slightly later, barely bothering to make sure his hands would be okay after he
grabbed a sword by the blade to keep it from penetrating her head -- and in the process completely forgetting that her date for the evening was in the room.
And yet, she went on her date with Wood, after admitting that she likes him and finds him attractive, and flirted with him, and seemed a little dazzled by his history. But as soon as Spike showed up she became totally focused on him. And then she doesn't want him gone, but she can't answer him about where Wood fits in. Frustrating, no? But really, I think Buffy needs to experiment with Wood a little. Or any non-evil human, really (and I'm not entirely convinced that Wood's not evil -- his Slayer momma doesn't explain why he buried Jonathan in a secret shallow grave, for one thing -- but Buffy's convinced, and that's what's important for the moment). Like she said, she needs to know that she
can be attracted to a nice human guy, that she can have sparks with someone who doesn't have the "wicked energy."
Because she needs to know that that's not why she's still attracted to Spike.
This is how I see it. Giles represented the voice of her inner fears. That getting involved with a vampire will lead to nothing but pain and misery -- because that's what she had with Angel. But Giles can't know what the future holds any better than she can. Then there was her discussion with Willow. Willow said it's good that she's moving on. Buffy assumed she meant "from Spike" (and in her defensiveness let slip that she did, in fact, love him, so "squee!" for that), but Willow clarified, "from [her] self-imposed super-self-reliance." That Buffy needs to be able to open up again and let somebody in. That doesn't send me the message that Wood is there to help Buffy move on from Spike. People have argued that Buffy needs to be on her own, but Buffy
has been on her own for a year, and what's more, she's been physically intimate with boyfriends, but she hasn't truly been emotionally intimate with anybody since Angel. Buffy needs to learn how to get there again. Even her best friend thinks so. And I don't see her getting there with Wood -- the audience simply isn't invested enough in him for him to become a serious romantic interest for Buffy at this point.
However, Joss does like the love triangle, and I do see him as representing the option of some semblence of normalcy (assuming that he's not evil). Wood represents everything Buffy is supposed to want, what her friends and her father and even she believes would be the best for her. But I think his main purpose in this triangle is to show Buffy that she can go that route if she wants to, that she does have a choice, that she can be attracted to nice guys, and she's not doomed to love vampires. So that she can know beyond a doubt that she's not attracted to Spike for the wrong reasons. Like I said, she needs to be sure, not only that it
is love, but also that it's the right kind of love, that she wants him for the right reasons. Also, despite what Spike told her, I think he very much
does want the picket fence. He wants to settle down and make a life with her. She's not even sure she'll live long enough to have a life, and even if she was, she's still so young, and getting involved with someone who's so serious and sure of what he wants is a major step. She can't enter into a romantic relationship with him again until she's absolutely certain, not just that she won't get hurt, but that
he won't get hurt. But she can't cut him loose, because the potential is there. Also, it is simply unfathomable to me that ME would put Spike through the ringer so much to help him become a worthy person, only to have to stand aside and watch the love of his life either choose another man or reject him in favor of being on her own some more. It's also pretty unlikely that he'd go through all of this just to die for her.
But what's really exciting -- to me, at least -- is that this plays nicely into my Shanshu theory. Buffy chooses Spike over Wood -- chooses him over the potentially normal life that Wood represents -- only to have Spike himself become human and able to give her that same kind of life, to have the picket fence future that IMO
both of them crave. As I've said elsewhere, it also makes sense to me that, if what Beljoxa's Eye said is true, the series will end with Buffy losing her powers rather than dying, to restore the balance that was disrupted by her resurrection. I know I'm in the minority over here, but from what I can see Joss is a fan of the happy ending, and what better way to end the series than to have Buffy's fondest wish, to be a normal girl with a normal boyfriend and a bright, happy future ahead, come true with the guy she already loves?
I'm probably wrong. I often am. But sometimes I'm right, and so far I haven't seen anything to convince me that this kind of ending isn't plausible. And I'm in a good 'shippy place again, so if you think otherwise I'd appreciate it if you'd let me hold on to my delusions as long as I can. Thanks.
In other episode news, this really was a fantastic ep. I love Choa-Ahn, and Giles's "Hush"-esque flashcards had me rolling. So did "bidet of evil." And there was fantastic Scooby interaction, and Spike & Giles interaction, and Xander & Anya are so clearly still in love that I really think those crazy kids are gonna work it out. And YAY for Andrew standing up to the FE. I think this addressed people's complaints about him being harbored by the Scoobies. Apparently it is only temporary, and once the danger is past apparently he fully intends to turn himself in for Jonathan's murder. I want to give Jane E. a big ol' hug for her attention to continuity alone. The
only (non-ship-related) thing that bothered me about this ep? What the hell was on the back of Spike's shirt as he was going out the door to go fetch Buffy? Whatever it was, it looked nasty. From the front, though, that was a good shirt on him. Nice to see him in a lighter color. Oh, my other complaint is the entirely different actress they cast for Nikki, but that probably couldn't be helped. I wish they'd gotten the same actress from "Fool for Love," though. She was much more bad-ass. This new chick is Nikki-Lite.
I think that's about it, for now. Next week's ep looks like it's gonna kick a lot of booty, so I'm excited. Squee!