I stayed up until 4 this morning working on part 4 of TIMCTB. It'll be interesting to see what kind of stupidity my betas point out in this draft. There's always at least a modicum of stupidity when I write sleepy. Often involving errant apostrophes.
Anyway. So I'm hella tired, and I just now got me some coffee. And I still don't know what's going on with my nephew (Danilel; he's sick, and last I heard the doctors didn't know why. It's kinda scary). And I have cramps. Big ones. Bad ones. Big, bad cramps. And a small, less evil headache. All things considered, I'm not quite as cranky as you'd think I'd be.
So
fenwic and I were talking last night about how easy it is to lose confidence in your writing (even though it's incomprehensible to me that she should lack any confidence in this area, seeing as how she's one of the people whose writing tends to shatter
my confidence). How one minute you're riding a high of accomplishment and praise and feeling like you can pull off anything, any characterization, any kind of scene, and then you go to actually do it, or (as is often in my case) look at some of your past work, or read something by somebody else that's just plain better, and suddenly you're convinced that you're the suckiest writer in Suckonia and that either all of those people who've told you different are just very nice and are lying to you, or that you just got lucky with the stuff they read and with this next thing they're going to figure out it's all a sham and you're a no-talent hack. This is how it is for me, at least. I can't speak for fen.
I figure this is a common phenomenon for most writers; but not long after this discussion we stumbled across one of the biggest examples of all out arrogance I have ever seen from a writer. Especially an amateur writer. And folks? No matter how great your fiction is? If somebody's not paying you to write? You're an amateur. Yes, this is leading into another long-winded and potentially controversial rant, so be warned. Now is probably a good time for some of you to roll your eyes and skip to the end. For the rest of you, I'm not naming names (but I will say it was a member of the afore-bitched-about clique). I'm not even going to repeat what she said. Just know that it was a jaw-droppingly arrogant thing to say, which boils down to that this person doesn't see any room for improvement in her own writing.
I have to wonder if this person has ever tried to get published professionally. I'm thinking she hasn't. I doubt she'd be quite so cock-sure about her writing if she has. See, on the one hand I've got people praising me for my fanfiction and giving me awards and good reviews, and I've got friends and strangers both constantly assuring me that yes, I am talented and that they believe said talent will take me far. On the other? Is a binder full of rejection letters from people whose job it is to decide what's good and what's a waste of time. So I can write a story and put it up on the Internet -- anybody can do this -- and feel proud of it and feel I did my best and actually manage to impress some people. But according to every publisher I've ever submitted anything to (except for that one in Canada, but that was non-fiction which is much easier to get published and so doesn't really count), no matter how good you folks say I am, I'm just not good enough.
So who do I believe? I could believe the publishers and give up, or I could believe my friends and "fans" and convince myself that talent makes no difference in the publishing industry and it's all about who you know. I tend to take the middle road on which I keep trying, keep writing, believing I can eventually become good enough, but that no matter how good or well-received my last story was there is still vast acres of room for improvement on the next one. I hope I never stop feeling this way, no matter how successful I become. Because IMO, if you honestly believe there's no more room for improvement? It's time to stop writing. Like Stephen King.
Speaking of Mr. King, in his invaluable book
On Writing, he says that there are four kinds of writers (and know that I'm paraphrasing big time because I can't find my book): bad, competent, good, and great (and he reserved "great" for, well, the truly great, those writers whose work transcends and stands the test of time, i.e. Shakespeare). He said a bad writer can't become competent, and a good writer can't become great (because the greatness he was talking about is pretty much inherent from the get-go); but that with practice a competent writer can become good, and good writers who aspire to be great can at the very least become very, very good.
On this scale I would place myself and the writers in this clique -- including the one mentioned above -- on the competent level and allow that sometimes we all do work that genuinely qualifies as good. The thing is, I think that all of these ladies have the potential to become truly good writers -- but only if they open up their eyes to the flaws in their writing and are willing to work to improve said flaws. I don't know if it's that this lady is too ready to believe most of her press, or if she just needs better beta-readers, ones who are willing to be brutally honest and point out her weaknesses instead of just gushing interrupted by the occasional grammar check. A good beta does more than just point out bad spelling and punctuation errors. I'm blessed with betas who tell me when my writing is lazy or rushed or when my plots have holes or weak spots. They see areas where they know I can do better and they demand that I do so. And I LOVE my betas. It's not always easy to take their criticism, but thanks to these folks (fenwic and
adjrun, I'm talking about you) my writing has vastly improved over the last couple of years. And yet there is still plenty more room for improvement.
I believe the writer in question could become as good as she thinks she is, but that's not going to happen as long as she believes she's achieved greatness. As long as she's not willing to get over herself enough to see her flaws, or as long as the people she trusts aren't willing to point them out to her, she's destined to remain a competent writer who writes very pretty (if occasionally self-important) prose and decent characterization but who can't plot worth a damn. And I just think that's kinda sad.
Sigh. Here endeth the rant. Anyway, today I'm finally going to answer some e-mail. Probably not all of it because there is a lot of it and hotmail has a tendency to crash on me, but as much as I can get done before I get frustrated and give up. Then I'm going to work on revisions, and hopefully I'll be able to at least post part 3 of TIMCTB tonight. Also,
Fox got me to thinking the other night about exactly when Spike fell for Buffy and at what points it went from pure lust to crush love to real love, so I want to do up a timeline of Spuffy milestones and when I think what happened. I don't know when I'll get around to that, though, or where I'll post it when I do. I also need to start working on Chad's S7-so-far tape. I think I'm going to have myself a marathon. I might just get up early tomorrow to start that so I can get all 9 eps in before the new one tomorrow night (squee!).
And as I just spent over an hour on this post, it's time to shut up and get my ass in gear.